In turns, epiphany, 2026 Archival pigment print from 4x5 negative, performance 42 x 52.5 in.
In turns, epiphany (detail)
Palpitations of a mundane order, 2026 Archival pigment print from 4x5 negative, performance 42 x 52.5 in.
Palpitations of a mundane order (detail)
Weariness is a sign that this is not the end, 2026 Archival pigment print from 4x5 negative, performance 42.5 x 34 in.
Weariness is a sign that this is not the end (detail)
When everything is everything, the feeling is mutual, 2026 Archival pigment print from 4x5 negative, performance 42.5 x 34 in.
When everything is everything, the feeling is mutual (detail)
The blue period is over, 2026 Archival pigment print from 4x5 negative, performance 42.5 x 34 in.
The blue period is over (detail)
Installation view, 2026
Installation view, 2026
Installation view, 2026
Set and Resets takes its name from Trisha Brown’s landmark postmodern dance performance, which turned improvised movement into set choreography that is repeated and remixed.
Drawing from my own dance practice, I use my body to dodge and burn light in the darkroom; each image begins as a long-exposure of dancers in motion and is composed of multiple improvised “movement phrases.” Together, they form a series of photographic choreographies gesturing towards the uncapturable presence of an experience unfolding across bodies and time.